Because I’m thinking of getting a new camera, I did a lot of research and wrote a detailed comparison of the top cameras from each of these brands: Sony, Canon, Nikon and Olympus. I looked at the 5DS and 5DSr, the 5D Mark IV, the D850, the A7S II, the A7R III, the OM-D E-M1, E-M5 and E-M10. If you’re looking to buy a new camera yourself, it’s definitely worth reading.
The Leica M RangeFinder digital camera has a 24 megapixel full-frame sensor, a splashproof camera body, legendary image quality, records full HD video and has an incredible heritage that guarantees its performance.
The new Leica M is the most innovative and versatile M-Camera that the modern M-System has ever created. It unites decades of experience in rangefinder technology with groundbreaking digital technologies: It features a completely newly developed high-resolution full-format CMOS sensor that, in combination with its high-performance processor and the legendary M-Lenses; delivers outstanding imaging results. With Live View, video, and new additional focusing methods, it is also the M for photographers who do not wish to miss out on any of what modern digital technology has to offer.
I’ve liked these little cameras ever since I got my first ELPH, which ran on APS film, back in 1997. These days, they’re digital, they have a 16 megapixel sensor, the back is made up of a large screen where you can view the photos, they record full HD video and they have built-in WiFi for easy sharing. Cool stuff!
- 16.1 effective megapixel, 1/2.3-inch high-sensitivity CMOS sensor
- 3.2-inch TFT touch panel PureColor LCD with wide viewing angle
- DIGIC 5 Image Processor
- Built-in Wi-Fi allows wireless sharing of images and video
- 24mm wide-angle lens (5x optical zoom, 4x digital zoom and 20x combined zoom) with optical image stabilizer
- Built-in Wi-Fi for wireless file sharing through Canon iMAGE GATEWAY on Facebook, Twitter, YouTube or other devices.
- Ultra-slim design, 5x Optical Zoom, 24mm Wide-Angle lens
- Canon HS SYSTEM with a 16.1 MP High-Sensitivity CMOS sensor, DIGIC 5 Image Processor
- 3.2-inch wide touch panel Pure Color System LCD with Touch Shutter for interactive shooting
- Improved Smart AUTO with 58 predefined shoting situations and new FACE ID
When it launched a little more than a year ago, the Blackmagic Design Cinema Camera took the industry by storm. It is the first (and quite possibly still the only) 2.5K video camera under $5,000 able to use EF, ZE and MFT-mount lenses. It stores the video on SSDs, in 12-bit RAW format with 13 stops of dynamic range (unheard of in virtually all video cameras). It has both SDI video output and Thunderbolt, for super-fast video downloads to your editing station.
The Blackmagic Cinema Camera with EF Mount from Blackmagic Design brings to film makers a tool that many have waited for. Recording to a 2.5K image sensor, the camera is capable of recording 12-bit RAW DNG files, as well as ProRes and DNxHD formats to built-in removable SSD drives, while delivering 13 stops of dynamic range. And it does so at a previously unheard of price point.
The camera is housed in an elegant, minimalist enclosure, crafted from a single block of aluminum. It can be used hand held or mounted on industry standard hardware. The lens mount accepts Canon EF and Zeiss ZE lenses, and the LCD touchscreen provides monitoring, plus the ability for the user to add metadata such as shot number, filenames and keywords.
To handle the high data video output, the company includes a full version of DaVinci Resolve, its premier color correcting software for Mac and Windows. Also included is a copy of UltraScope. When connected to a computer via Thunderbolt, the software provides technically accurate waveform monitoring, displaying six live scope views on a single monitor.
Since everything has been designed to provide high quality acquisition, the camera is perfect for independent film, television commercials and episodic television production, all places where image quality is paramount. And being affordable, it will also find its way into wedding, sporting event and music video capture.
- Captures a super wide dynamic range of 13 stops into 12-bit DNG files for a true “filmic” look
- Preserves detail in both shadows and highlights, and even handles indoor shots while keeping the details of any images captured through windows
- Allows for keeping all sensor data and enhancing the creative decisions during DaVinci Resolve color grading
EF Compatible Lens Mount
- Supports optics from leading lens crafters such as Canon, Zeiss and many more
- Compatible with EF, ZE and MFT-mount lenses
- Allows full electronic control of the lens – simply point, set iris and focus on command
Capacitive Touchscreen Display
- Five inch touchscreen allows for setting up a shot, as well as playback from the SSD using the transport control buttons below the screen
- Enter shot data and update the camera’s settings using the capacitive touchscreen display
- Double tap to zoom the image for fast and accurate focus
- Data strip displays information including record status, shutter angle, ISO, battery level, record time and more
- Features built-in metadata entry so that files include information compatible with popular editing software
- Dramatically speeds up the whole post production process
- Entering metadata is easy – simply tap the capacitive LCD touchscreen to display the slate where information can be entered including shot number, search tags, scene number, Timecode, and more
- Set shot number and other data to increment automatically
- Metadata is compatible with leading editing software and is fully searchable, bypassing the time consuming task of searching for specific shots when editing a project
- Built-in SSD recorder uses low cost 2.5″ SSDs
- Allows for 2.5K uncompressed CinemaDNG RAW 12-bit capture, as well as Apple ProRes and Avid DNxHD compressed video formats
- Play back directly from the camera, mount the disk to any computer, or use Blackmagic Design’s HyperDeck Studio deck
- With Apple ProRes and Avid DNxHD video formats, record for more than five hours on a single 480 GB SSD
- All file formats conform to open standards used by most professional NLE software
- When finished shooting, simply connect the SSD to a computer and edit or color shots straight from the disc
- Uses only standard connections, no custom cable required
- Dual balanced microphone/line audio inputs for recording high quality uncompressed audio
- 3 Gb/s SDI out for on set monitoring or for sending to live production switchers
- Includes 12 to 30 VDC input for power and battery charging
- Stereo mini (3.5 mm) headphone output
- LANC remote control and high speed Thunderbolt port for computer capture
Open File Formats
- Camera uses standard file formats
- Recording native 2.5K resolution uses the open CinemaDNG format, delivering full 12-bit RAW recording quality
- Choose 1080HD recording into ProRes and DNxHD compressed video formats for even greater compatibility
- Full DaVinci Resolve 9.0 software including Resolve USB dongle for Mac and Windows
- Shoot wide dynamic range images and then make color correction decisions in post production
- Media Express software for video capture from the camera’s Thunderbolt port
- UltraScope provides technically accurate waveform monitoring
- Connect the camera to any computer using Thunderbolt to display six live scope views on a single monitor
- Use UltraScope on set or in any location for parade, waveform, vectorscope and histogram signal measurement
- Includes picture view, audio level and phase monitoring
Buy it here: Blackmagic Design Cinema Camera with EF Mount
I saw this camera when it first came out, in its 1st generation. It was dropped onto concrete then stepped on. Worked like a champ afterward. Now it’s even more rugged, it’s got built-in GPS, it looks even better and performs even better. What’s not to like about it?
The most sophisticated rugged point-and-shoot on the market, the Olympus TG-2 iHS was designed with the serious photographer in mind. In addition to its Shockproof (7ft/2.1m), Crushproof (220lbf/100kgf), Freezeproof (14°F/-10°C), Dustproof design, the TG-2 iHS dives deeper than ever before with an astounding waterproof depth rating of 50 feet (15m) without a housing. But don’t be fooled, this camera’s not only for the avid scuba diver, it’s for active photographers who won’t sacrifice image quality and performance. The TG-2 iHS is the only rugged camera on the market equipped with an ultra-bright, high-speed f2.0 lens, allowing you to capture dramatic low light and high-speed action shots. Paired with a 12 megapixel BSI CMOS sensor and TruePic™ VI Image Processor that fuel Olympus’ cutting-edge iHS Technology, you’ll get amazing pro image quality and 1080p Full HD Videos in places that your DSLR camera just can’t risk traveling.
With advanced functions like Aperture Priority mode, you’ll have even more control to capture the exact images that you want! Added features like next generation GPS & e.Compass, a 3.0″ OLED monitor, Linear PCM Stereo audio recording, High-Speed Sequential Shooting up to 60 frames per second**, four underwater scene modes and two custom modes make this adventure cam stand out in the crowd!
Looking for more? The TG-2 iHS is the only rugged camera to feature system expandability to put even more photographic control in your hands; use the telephoto converter lens to achieve even greater optical zoom range and artistic blur or the wide-angle fisheye lens for more expansive views, especially underwater. The completely waterproof system allows you to take your photography to places that your pro system can only dream of going.